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The Vine
The Vine can be interpreted as a light-hearted allegory of love – the woman harvests the grapes for the wine that intoxicates the man. With his great technical virtuosity, Carl Larsson was excellently equipped to succeed in the Neo-Rococo genre, which relied to a great extent on the ability to paint with illusory brilliance. The Vine was bought by Herman Friedländer when it was shown at the Oppone…
Creator
Type of item
- paintings (visual works)
- http://udcdata.info/065280
- Visual Works (hierarchy name)
- Visual arts
Creator
Type of item
- paintings (visual works)
- http://udcdata.info/065280
- Visual Works (hierarchy name)
- Visual arts
Providing institution
Aggregator
Rights statement for the media in this item (unless otherwise specified)
- http://creativecommons.org/publicdomain/mark/1.0/
Rights
- Nationalmuseum, Sweden
Creation date
- 1884
- 1884
Provenance
- Bequeathed 1920 by Mr Herman Friedländer
Identifier
- NMB 400
- 24342
Extent
- Mått 60 x 92 cm
Format
- Watercolour. Diptych, in one frame with NMB 399
Year
- 1884
Providing country
- Sweden
Collection name
First time published on Europeana
- 2017-01-11T14:09:39.109Z
Last time updated from providing institution
- 2017-01-11T14:27:12.764Z